The Pixar Storytelling Formula

Pixar films tell great stories. Toy Story. Finding Nemo. WALL-E. Up. These and other films have together grossed $ billions and won many awards. For example, WALL-E, one of my favorites, earned $533 million at the box office and several awards, including an Academy Award for best animated feature. How do they do it? Pixar story artist, Emma Coats, says that every Pixar film follows the same narrative formula, which involves six sentences (#4 in a list of 22 storytelling tips). Pixar’s formula seems to be derived from one developed by Kenn Adams, teacher and author, who posted his version (with eight steps) on his blog, Back to the Story Spine.

This is how it works. Each sentence begins with a few words followed by a blank space to be filled in by the storyteller. You can use six steps or eight:

  1. Once upon a time, there was …
  2. Every day …
  3. One day …
  4. Because of that …
  5. Because of that …
  6. Because of that …
  7. Until finally …
  8. Ever since then …

Those of us in science wishing to be better communicators, especially with video, can adapt this narrative formula to tell our science stories.

For example, we might want to tell a story about a research project to show students how scientists work. Here’s one story designed with the eight-step formula:

  1. Once upon a time, there was … a scientist who was interested in how coastal forests called mangroves managed to avoid submergence by rising sea level.
  2. Every day … the scientist read journal articles that said mangrove forests keep pace with sea-level rise mainly by accumulating mineral sediment carried by rivers, tides, and currents.
  3. One day … the scientist collected cores from beneath several mangrove forests in the Caribbean Region and found mostly organic deposits called peat.
  4. Because of that … the scientist wondered if plant matter (dead leaves and roots) might build up enough to help some mangrove forests adjust to changing sea level.
  5. Because of that … the scientist, along with colleagues, conducted a 3-year experiment on a mangrove island in Belize to see if a change in production of plant matter could alter vertical movement of the soil surface.
  6. Because of that … the scientist showed that production and accumulation of mangrove roots were mainly responsible for upward expansion of the soil surface.
  7. Until finally … the scientist was able to report that Caribbean mangroves adjust to rising sea level through biological controls on change in soil elevation.
  8. Ever since then … scientists have had a better understanding of how loss of mangroves may affect vulnerability of tropical coastlines to sea-level rise.

That’s the story of how one of my research projects came about and how it turned out. I published that paper in 2007:

McKee, K.L., D.R. Cahoon, and I.C. Feller. 2007. Caribbean mangroves adjust to rising sea level through biotic controls on change in soil elevation. Global Ecology and Biogeography 16: 545-556.

My formula-guided story illustrates how scientists make observations that lead to new hypotheses, experiments, and a more refined understanding of an ecosystem—suitable for an audience of science students. But I could have told other stories—for example, the challenges I experienced conducting research in a remote, waterlogged, bug-ridden habitat.

The Pixar formula is similar to an older storyline called “The Hero’s Journey”, which I’ve described before. The nine-step Hero’s Journey features a protagonist who encounters a catalytic event, which propels her to take action and to eventually achieve a goal. The Pixar formula is a bit more generic and has several steps, but also involves a conflict and a resolution. Even briefer is the ABT (and, but, therefore) model promoted by Randy Olson.

Take your pick. All of these narrative formulas can aid scientists in telling stories that people can understand and remember. If you want to make a video about a science topic but are having difficulty coming up with a story, give one of these formulas a try.

Women in Chemistry and the Periodic Table

The American Chemical Society has produced a video celebrating Women’s History Month and the International Year of the Periodic Table. The video, which is part of their series called Reactions, features two pioneering women in chemistry: Marie Curie (of course) and Ida Noddack.

See how they contributed to the periodic table:

Predatory Science Journals Adopt a New Tactic: Video

I suppose it was just a matter of time before predatory science publishers latched onto the idea that adding video to their offerings would bring in more money.

Predatory journals, in case you are unfamiliar with the term, are journals, typically lacking in legitimate editorial services or rigorous standards, that will publish your paper—for a fee. If you are a scientist who has published in reputable journals, you’ve likely received one or more invitations from a predatory journal. Some researchers have responded by conducting sting operations—submitting papers containing scientific gobbledygook and fictitious authors—to expose their shady practices.

Now, predatory publishers are offering to post a video for fees ranging from $1,500 to $4,200, according to reporter Tom Spears of the Ottawa Citizen. Spears, known for his hilarious spoofs of predatory publishing, has now produced a video featuring “Dr. Yosemite Sam” that has been submitted to several journals. Despite its suspicious title (Re-Examining the Genetic Bottleneck: Atavistic Regression in Acquired Traits Affects the Outcome for Many Subspecies at the Allelic Level) and cartoon-character author, several journals are apparently considering it for publication or have already posted it. Two have accepted Dr. Yosemite Sam as an editor.

You can read Spear’s article in the Ottawa Citizen here and watch his video below.

Predatory journals turn to video–like this one–for bigger profits

Metafact

There is a new fact-checking platform for science questions being developed called Metafact. This effort is designed to make valid science information readily accessible to the average citizen. To accomplish this objective, the platform matches verified scientists and experts to questions posed by users. So far, Metafact has verified 11,398 experts in 389 specialties from 555 institutions.

I visited the founder, Ben McNeil, at the University of New South Wales in 2015. At the time, Ben had just initiated a program called Thinkable to help researchers find funding. I was in Australia to attend a conference and made time to visit Ben to give a talk and to discuss science communication (see this post for more details).

To find out more about this new effort and to support it, check out Metafact’s Kickstarter page. To sign up as an expert, go here.

How to Use YouTube’s Audio Library

Music and sound effects can enhance a video and the viewer’s experience. However, finding music and other audio tracks that are free to use is not always easy. YouTube has compiled a library of audio tracks for YouTube creators. YouTube has also made it easier to search and find an appropriate audio track (using filters such as genre, duration, attribution requirements). If you have a YouTube channel, you can use your Video Manager to find and add a music track to your uploaded video.

In a new tutorial, I show how to use YouTube’s Audio Library of free music and sound effects tracks in your videos.